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How To Be Good (feat. Don Zientara)

from Ashes Across The American Basin (feat. Don Zientara) by Nina Heart

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about

Nina Heart...Voice, Guitar
Daniel Rodriguez...Lead Guitar
Don Zientara...Rhythm Guitar
Liam O'Donovan...Bass
Nate Oliver...Drums

Produced by Nina Heart and Don Zientara
Engineered by Don Zientara
Mixed by Nina Heart and Don Zientara
Mastered by TJ Lipple

Cover Art by Dana Love
Design by Nina Heart

Written by Kathryn Ida Winkler (c) 2016 BMI

lyrics

Sometimes I feel so bad,
I watch the flowers die;
I don’t want to water them,
And I don’t know why.

Sometimes I hate myself,
So I push you away;
Everything is poison,
Each Word I say.

I don’t know how to be good;
I don’t know if I would,
Even If I could.

Sometimes I feel so hurt,
I just sit in the dark,
Starving myself to death,
And falling apart.

Sometimes I tell you things,
That I really don’t mean,
Just to prove I don’t need you,
But it’s not what it seems.

I don’t know how to be good;
I don’t know if I would,
Even if I could.

The more I like you,
The meaner I am,
‘Cause there’s more to lose,
With a loving man.

I don’t know how to be good;
I don’t know if I would,
Even if I could.

No, I don’t know how to be good;
I don’t know if I would,
Even if I could.

credits

from Ashes Across The American Basin (feat. Don Zientara), released October 26, 2016
Nina Heart...Voice, Guitar
Daniel Rodriguez...Lead Guitar
Don Zientara...Rhythm Guitar
Liam O'Donovan...Bass
Nate Oliver...Drums

Produced by Nina Heart and Don Zientara
Engineered by Don Zientara
Mixed by Nina Heart and Don Zientara
Mastered by TJ Lipple

Cover Art by Dana Love
Design by Nina Heart

Written by Kathryn Ida Winkler (c) 2016 BMI

license

all rights reserved

tags

about

Nina Heart Washington, D.C.

Nina Heart is inspired by a wide range of influences, including: World, American Roots, Punk Rock, and Industrial. Nina grew up listening to Folk, Country, Rock, and Pop on vinyl records. She cultivated her unique songwriting and performance style through informal jam sessions with friends, years of Contemporary and Classical music training, and a professional background in Theatre. ... more

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